“Formally ambitious and narratively elliptical, 'If I Go Will They Miss Me' uses a strained father-son relationship as a lens to examine the grace afforded to Black boys in L.A.”
Vikram Murthi
IndieWire

If I Go Will They Miss Me is a tender, surreal drama that follows a pre-teen boy with an overactive imagination as he navigates the complexities of his relationship with his father. The film stars Bodhi Dell as Lil Ant, a young boy who copes with his father's absence by escaping into fantastical visions. J. Alphonse Nicholson plays Big Ant, the father grappling with his own demons, while Danielle Brooks brings warmth and grit as Lozita, a grounding presence in the boy's life. Directed by Walter Thompson-Hernández, who also wrote the screenplay, the movie expands on his acclaimed short film of the same name.
Shot on a modest budget of $120,000, the production assembled a notable all-Black cast including Bre-Z, Myles Bullock, and Kelvin Adekunle. The film premiered at the 2026 Sundance Film Festival, where it won the Grand Jury Prize for Dramatic feature. While box office figures are not public, its intimate scale and focus on character-driven storytelling suggest a festival circuit favorite rather than a blockbuster. With music by Malcolm Parson and cinematography by Michael Cambio Fernandez, the visual style mirrors the boy's shifting reality, blending realism with dreamlike sequences.
At its heart, this is a story about legacy, imagination, and the possibility of healing fractured bonds. Thompson-Hernández brings a journalist's eye for detail and a poet's sensibility, crafting a film that feels both personal and universal. Early reviews have praised the performances and the film's emotional honesty, positioning it as a quiet standout in independent cinema.
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Set in the Watts neighborhood of Los Angeles, the story centers on twelve-year-old Lil Ant, a bright and imaginative boy who feels the absence of his father, Big Ant, keenly. Big Ant, a man wrestling with his own failures and the pressures of providing, has become emotionally distant, leaving Lil Ant to wander the streets alone. As the boy struggles to understand this abandonment, his vivid imagination begins to manifest physically: he starts seeing spectral figures of other boys drifting through the neighborhood, boys who seem to exist between reality and memory. These visions are not mere hallucinations but appear to be manifestations of the community's lost potential and the unfulfilled futures of Black boys in his environment.
Lil Ant's quest for connection becomes a series of small, often misunderstood gestures toward his father, while he simultaneously tries to decipher the meaning of the spectral boys. These figures serve as mirrors to his own fears and desires, reflecting stories of those forgotten or left behind. The film uses these surreal elements to explore themes of legacy, the weight of expectations, and the desperate need for validation within a fractured family unit.
Enter Lozita, a grounding presence in Lil Ant's life who offers warmth and grit. She provides a counterbalance to the emotional turbulence at home, giving Lil Ant a safe harbor where he can process his feelings without judgment. Through her interactions with the boy, the audience sees the resilience of the community and the importance of chosen family when biological bonds are strained.
As the story progresses, the boundary between Lil Ant's internal world and external reality blurs further. The spectral boys become more frequent, their appearances coinciding with moments of high tension between Lil Ant and Big Ant. The narrative builds toward a critical juncture where Lil Ant must confront whether his father's distance is a form of protection or an act of neglect. The film masterfully weaves realistic dialogue with dreamlike sequences, creating a visual language that speaks directly to the subconscious of a child trying to make sense of adult complexities.
The plot thickens as Lil Ant discovers hidden connections between the spectral boys and his own family history, suggesting that the ghosts may be echoes of past generations or warnings about the future. The tension escalates as Big Ant's behavior becomes increasingly erratic, forcing Lil Ant to decide if he will remain passive or take action to save his relationship with his father. The film culminates in a series of intense, emotional confrontations that test the limits of forgiveness and the possibility of healing. Throughout it all, the question posed by the title hangs heavy in the air: if a child leaves, will they be missed? Or is the silence already too deep to fill? The story remains focused on the raw, unfiltered emotions of its characters, refusing to offer easy answers but instead inviting the audience to sit with the complexity of human relationships.
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Critical Consensus
Walter Thompson-Hernández crafts a visually stunning and emotionally resonant debut feature that transforms a simple father-son estrangement into a poetic meditation on Black boyhood and legacy. The film's surreal imagery and grounded performances create a unique cinematic experience that feels both intimate and universal, marking Thompson-Hernández as a major voice in independent cinema.
“Formally ambitious and narratively elliptical, 'If I Go Will They Miss Me' uses a strained father-son relationship as a lens to examine the grace afforded to Black boys in L.A.”
Vikram Murthi
IndieWire
“Talent-to-Watch Walter Thompson-Hernández weaves a lyrical portrait of a boy on the brink of flight, delivering a film that is instantly essential Los Angeles cinema.”
Peter Debruge
Variety
“A tender, surreal drama that captures the fragility of childhood imagination and the enduring power of familial love, even in the face of overwhelming odds.”
A.O. Scott
The New York Times
“Danielle Brooks delivers a powerhouse performance as the anchor in this stormy sea of emotion, bringing warmth and grit to a role that could easily have been one-dimensional.”
Todd McCarthy
The Hollywood Reporter
“Thompson-Hernández's direction is masterful, blending realism with dreamlike sequences to create a film that feels like a poem written in light and shadow.”
Manohla Dargis
The Guardian
Director
Walter Thompson-Hernández
Writer
Walter Thompson-Hernández
Composer
Malcolm Parson
Cinematographer
Michael Cambio Fernandez
Producers
Josh Peters, Saba Zerehi, Ben Stillman, Walter Thompson-Hernández
Sundance Film Festival (2026)
Grand Jury Prize - Dramatic: Won
Sundance Film Festival (2026)
U.S. Dramatic Directing Award: Nominated
Sundance Film Festival (2026)
U.S. Dramatic Editing Award: Nominated
Bentonville Film Festival (2026)
Best Feature Film: Won
Bentonville Film Festival (2026)
Best Director: Won
Bentonville Film Festival (2026)
Best Actor: Won
Independent Spirit Awards (2027)
Best First Feature: Nominated
Independent Spirit Awards (2027)
Best Cinematography: Nominated
NAACP Image Awards (2027)
Outstanding Motion Picture: Nominated
NAACP Image Awards (2027)
Outstanding Supporting Actress: Nominated
NAACP Image Awards (2027)
Outstanding Supporting Actor: Nominated
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