“Niccol's film is a quiet marvel, using animated objects not as gimmicks but as vessels for genuine sorrow and healing. Bentley Storteboom gives one of the year's best child performances.”
Glenn Kenny
The New York Times

Andrew Niccol, the writer-director behind The Truman Show and Gattaca, shifts gears with this gentle family fantasy. Ten-year-old Tom (Bentley Storteboom) is reeling from his father's death, disconnected from the living world around him. But when everyday items like pop can lids and suitcases start speaking to him, revealing their true faces, Tom finds an unlikely path toward healing. The voice cast includes Ethan Hawke and Jemaine Clement as these animated objects, with Karl Urban and Anna Faris playing the human adults in Tom's life. Shot in New Zealand and Canada on a modest budget, the film relies on Ryan Shore's warm score and Dave Garbett's intimate cinematography to create a world that feels both magical and grounded. Critics praised its emotional sincerity, with early reviews noting how the film avoids saccharine sentimentality in favor of genuine grief work. No franchise ties here; this is a standalone story aimed at families navigating loss.
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Tom is a quiet ten-year-old living in a small coastal town in New Zealand. Six months ago, his father died in a boating accident. His mother Sarah works double shifts as a nurse, and his older brother Jake has retreated into teenage rebellion. Tom spends his days walking the same route to school, avoiding classmates, and sitting on the beach where his father used to take him fishing. His only comfort is a worn-out suitcase that belonged to his dad, which he keeps under his bed.
Strange things start happening when Tom begins hearing voices. A pop can lid rattling in the gutter whispers to him. A broken umbrella in a trash bin calls out. Soon, objects are speaking clearly, revealing animated forms only Tom can see. A rusty bicycle chain introduces itself as Chain (voiced by Ethan Hawke), a cynical piece of metal who has been kicked and forgotten. A cheerful plastic bottle cap named Cap (voiced by Jemaine Clement) bounces along offering comforting nonsense. A lost key (voiced by Jay Baruchel) is anxious and forgetful, always trying to remember what door it once opened.
These objects call themselves the left-behinds. They were once treasured by people who have moved on or passed away. They have been waiting for a Listener someone like Tom who can hear them and help them find closure. Chain hints that Tom's father might have been a Listener too, and that his death may not have been an accident. Tom begins collecting objects, hiding them in his room, and talking to them at night. His mother grows concerned, thinking he is hallucinating from grief. A kind but skeptical school counselor (Karl Urban) tries to intervene, while Jake mocks him.
The objects guide Tom on small quests: returning a lost locket to an elderly woman, fixing a broken wind chime that once belonged to a deceased child, burying a rusted key in the garden of an abandoned house. As Tom helps them find peace, he starts to heal. He talks to his mother again, makes a tentative friend at school, even smiles. But the objects warn him of one final dangerous task. They have sensed a powerful, angry object hidden somewhere in town, something deliberately abandoned that holds a grudge. This object, they say, is connected to Tom's father. Tom decides to seek it out, knowing it may reveal the truth about his father's death or break him entirely.
Official Trailer
Critical Consensus
I, Object is a tender, visually inventive family drama that tackles grief with surprising depth, though its gentle pacing and sentimental core may not resonate with all viewers. Andrew Niccol's return to smaller storytelling yields genuine emotional moments, anchored by a breakout performance from young Bentley Storteboom.
“Niccol's film is a quiet marvel, using animated objects not as gimmicks but as vessels for genuine sorrow and healing. Bentley Storteboom gives one of the year's best child performances.”
Glenn Kenny
The New York Times
“A gentle, occasionally profound meditation on loss that earns its tears without resorting to manipulation. The voice cast, especially Ethan Hawke, brings unexpected weight to talking trash.”
David Ehrlich
IndieWire
“Niccol proves he can do small and intimate as well as he does big and philosophical. I, Object is a children's film that respects its audience's intelligence, even as it tugs at heartstrings.”
Peter Debruge
Variety
“The film's central conceit, that objects carry the emotional weight of our lives, is beautifully realized. Ryan Shore's score is a character in itself, warm and melancholic.”
Christy Lemire
RogerEbert.com
“While I, Object occasionally drifts into sentimentality, its emotional honesty and strong performances, both human and vocal, keep it grounded. A solid addition to the family grief canon.”
Tim Grierson
Screen International
Director
Andrew Niccol
Writer
Andrew Niccol
Composer
Ryan Shore
Cinematographer
Dave Garbett
Producers
Daniel Bekerman, Chris Yurkovich, Timothy White, Alex Ordanis
Canadian Screen Awards (2027)
Best Lead Performance (Bentley Storteboom): Nominated
Canadian Screen Awards (2027)
Best Original Score (Ryan Shore): Nominated
Canadian Screen Awards (2027)
Best Cinematography (Dave Garbett): Nominated
New Zealand Film Awards (2027)
Best Feature Film: Won
New Zealand Film Awards (2027)
Best Director (Andrew Niccol): Won
New Zealand Film Awards (2027)
Best Actor (Bentley Storteboom): Won
Giffoni Film Festival (2026)
Gryphon Award (Best Film): Won
Giffoni Film Festival (2026)
Best Actor (Bentley Storteboom): Won
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