Harry Cadby

Harry Cadby is a British screen actor who has worked almost exclusively in UK television and independent film since graduating from drama school in 2021. He is best known for playing Antony in the BBC Three thriller Red Rose, Will in the Netflix comedy-drama Everything Now, and for roles in the features Little Bone Lodge and O'Dessa. His screen credits number roughly half a dozen, spread across the BBC, Netflix, Channel 5 and Disney+.

Cadby's profile is that of a working character actor rather than a celebrity brand. He tends to appear in ensemble pieces with serious subject matter: adolescent mental health, coercive technology, and post-war London nightlife among them. He is represented by The B-Side management and keeps a low public profile, with an Instagram account used mainly to note when a project has been released. [edit]

Cadby trained at the London Academy of Music and Dramatic Art, graduating in 2021. LAMDA is one of the older British drama schools and its three-year acting course is built around classical text, movement and voice work; a graduate emerging into screen work within months of finishing is not unusual, but it does indicate that he was cast while still completing training or immediately afterwards.

His first professional screen credit came in 2021, a supporting part in John Crowley's BBC adaptation of Kate Atkinson's novel Life After Life. The four-part series follows Ursula Todd through repeated versions of her life in the first half of the twentieth century, and it gave Cadby a period-drama credit before he had any contemporary television on his record. His agency, The B-Side, describes that production as the start of his screen career.

Public information about his upbringing is thin. He is English, and no source in the record gives his date of birth, his hometown beyond the country, or the occupations of his parents. Fan searches for his age are common, and the reasonable inference from a 2021 graduation is a birth year in the late 1990s, but that is an inference and not a published fact. He has not discussed his schooling or family in interviews. [edit]

The role that changed his standing was Antony in Red Rose, a BBC Three horror-thriller set in Bolton and written by the Clarkson twins. The series follows a group of teenagers menaced by a phone app, and Cadby was part of the core friendship group. BBC Three broadcast it in 2022 and Netflix carried it internationally, which is where most of his overseas audience first saw him.

He followed it with Little Bone Lodge, a home-invasion thriller starring Joely Richardson, playing one of the intruders who besiege a family in a remote Scottish house. In 2023 he took the lead role of Will in Ripley Parker's Netflix comedy-drama Everything Now, about a teenager returning to school after treatment for an eating disorder. The series drew attention for handling that subject without sentimentality, and it gave Cadby his first top-billed part.

2025 was his busiest year. He appeared in the BBC period drama Dope Girls, set in Soho's club scene after the First World War; in In Flight; in a Channel 5 adaptation of A Woman of Substance; and in Geremy Jasper's rock opera O'Dessa opposite Sadie Sink, which he publicised on Instagram when it reached Disney+ and Hulu. He has also done promotional work for Channel 4 comedy and for Netflix's Everything Now press campaign alongside co-star Sophie Wilde. [edit]

Cadby's public presence is deliberately understated. His Instagram is used almost entirely to note that a project has been released, with captions that thank viewers and little else. The "Professional Liar" bio sets the tone: dry, self-deprecating, uninterested in the polished register that many young actors adopt.

That same dryness shows up in his promotional appearances. A Channel 4 comedy clip pairs him with Ewan Horrocks in a charm contest that goes sideways, and he plays along rather than guarding his image. In interviews about Everything Now he has stayed on the subject of the work. The press has treated him as a promising emerging British actor rather than a personality, and he has not pushed against that framing. [edit]

iFANN has not yet gathered fame data for Harry Cadby, so no ranking is available for him at this stage. He is not on the September 2026 iFAMOUS Rankings flagship list either, which is consistent with a career still in its early television phase.

What audience he has is informal and tied to individual shows rather than to him personally. Viewers who found him through Red Rose on Netflix and through Everything Now discuss him in the comment sections of those series rather than in any dedicated space. There is no fandom name, no organised fanbase, and no record of coordinated campaigns, birthday projects or charity drives in his name. The only structured fan infrastructure is a small wiki page devoted to Everything Now, which lists him among the cast.

He engages with that audience mainly by acknowledging releases. His O'Dessa post thanked people for watching, and that is about the extent of it. For an actor at his stage, with a handful of credits and no franchise attachment, an unstructured audience is the normal state of affairs. [edit]

Cadby's Instagram bio reads "Professional Liar," which is the sort of joke actors make about their trade and about very little else. His handle is simply his own name, with no styling or punctuation.

He graduated from LAMDA in 2021 and had a BBC credit on screen within the same year, a fast turnaround by the standards of the profession. His first role was in a period drama, and his second was a contemporary horror series set in Bolton, which is a wider range than most early careers manage.

A recurring search query attached to his name is "How tall is Harry Cadby?" No published source answers it, and he has not volunteered the information. The same is true of his birthday, which fans ask about often and which no interview or agency page has supplied. The absence of basic biographical data is itself characteristic: he gives interviews about the work and not about himself. [edit]

Cadby has not discussed his family publicly. No source in the record names his parents or any siblings, and he does not post about them on social media. He is English by birth and has lived and worked in London, where LAMDA is based and where much of the television industry he works in is centred. Beyond that, his household and living arrangements are not part of the public record. [edit]

Cadby's closest working relationships are with the casts and creators of his series: Sophie Wilde, his co-star in Everything Now and his partner in its Netflix press campaign; Ripley Parker, who created that series; Joely Richardson, his co-star in Little Bone Lodge; Sadie Sink, his castmate in O'Dessa; and Ewan Horrocks, with whom he made a Channel 4 comedy segment. John Crowley directed his first screen role. He is represented by The B-Side management. [edit]

No romantic relationship involving Harry Cadby has been confirmed in any public source. He does not discuss his private life in interviews, and no credible outlet has reported a partner, an engagement or a marriage. Fans search for the answer, and the searches go unanswered.

As of 2026, the public record shows no confirmed relationship, and his status is best described as single as far as anyone outside his circle knows. That is not the same as confirming he is unattached; it means the information is private and has stayed private. [edit]

No published net-worth estimate exists for Harry Cadby. The celebrity finance sites that maintain pages for thousands of actors have not listed him, and no entertainment or business outlet in the record offers a figure. The iFANN Editorial Team's own reading of his earnings, based on the scale and type of his credits, puts his current net worth at approximately $1 Million as of 2026.

His income comes from acting fees. Those have been BBC and Netflix television roles, a Channel 5 adaptation, and independent features, which in the British market pay at union scale or modestly above it for emerging performers. A lead role in a Netflix comedy-drama pays better than a supporting part in a BBC thriller, and the sequence from Red Rose to Everything Now likely moved his per-project rate upward. There is no evidence of endorsements, brand partnerships, production companies or business ventures, and no property holdings have been reported.

The figure should be read as an order of magnitude rather than a precise accounting. An actor with half a dozen credits over four years, working steadily but without a franchise or a commercial hit, sits in the low seven figures at most, and often below it. If his television work continues at its current pace, the number will rise with each lead role, but there is no basis for a larger estimate at present. [edit]