“Viscerally exciting and surprisingly tender, 'Godzilla Minus One' is a monster movie that never forgets its human heart.”
Jeannette Catsoulis
The New York Times

Japan"When the war ends, the terror begins."
User Score
3,235 votes
Part of a Collection
Godzilla Minus Collection
Japan, 1945. The war is over, but the country lies in ruins. Cities are flattened, people are starving, and the survivors carry scars that won't heal. Into this shattered world comes a monster born from the same atomic fire that ended the war. Takashi Yamazaki's Godzilla Minus One isn't just another kaiju movie; it's a raw, human drama about guilt, survival, and the fragile hope of rebuilding. Ryunosuke Kamiki delivers a gut-wrenching performance as Koichi Shikishima, a kamikaze pilot who failed his mission and now must face a far greater terror. Minami Hamabe matches him as Noriko Oishi, a woman who refuses to give up despite losing everything.
Made for a mere $15 million, the film punches far above its weight. Its Godzilla is a scarred, skeletal nightmare, and its atomic breath attack on Ginza is one of the most devastating sequences in the franchise's 70-year history. The movie swept the Japan Academy Film Prize with eight wins and took home the Oscar for Best Visual Effects, the first for a Godzilla film. It grossed over $113 million worldwide, proving that a smart, character-driven monster movie can still pack theaters.
Availability and pricing can change. Confirm on the provider's site before purchasing.
The story opens on a remote Japanese airbase in 1945. Koichi Shikishima, a young kamikaze pilot, lands his plane claiming mechanical trouble on the day of his final mission. That night, a massive reptilian creature attacks the base. Shikishima freezes at the controls, unable to fire his guns. Only he and the base mechanic, Sosaku Tachibana, survive. Tachibana curses him for his cowardice.
A year later, Tokyo is a wasteland. Shikishima returns to his bombed-out neighborhood and finds his parents' house destroyed. He meets Noriko Oishi, a young woman caring for an orphaned baby named Akiko. She offers him a place to stay in exchange for help. Reluctantly, he agrees, and they form an unconventional family. Shikishima takes dangerous work clearing naval mines from Tokyo Bay alongside a crew of war survivors: the cheerful Shiro Mizushima, elderly Captain Yoji Akitsu, and former naval engineer Kenji Noda. Noda, who lost his family in the war, has been secretly designing a plan to stop Godzilla should it ever return.
Meanwhile, the United States begins nuclear tests at Bikini Atoll. Godzilla, already mutated by a previous test, is irradiated further, growing larger and more powerful. In 1947, it attacks a US naval vessel, then a Japanese ship, leaving no survivors. The Japanese government, still under occupation, is helpless. The US refuses to intervene. When Godzilla makes landfall at Ginza, Tokyo, the destruction is catastrophic. Shikishima witnesses the monster's atomic breath level the city. Noriko, who went to Ginza to find work, is caught in the attack. Shikishima rushes to find her amid the rubble, but the film cuts away before revealing her fate.
Devastated and guilt-ridden, Shikishima joins Noda's desperate plan: a civilian operation using decommissioned ships to lure Godzilla into a trap in Sagami Bay. The plan involves luring the monster into a deep trench, then using high-pressure balloons, explosive charges, and a kamikaze-style attack to destroy it from within. The central conflict becomes whether Shikishima can finally redeem himself by facing his fear and taking a stand. The film builds to this final confrontation, with the fate of Japan's fragile postwar recovery hanging in the balance.
Minus Color Official Netflix Trailer [Subtitled]
Official Netflix Trailer [Subtitled]
Minus Color Official Trailer [Subtitled]
Critical Consensus
Godzilla Minus One is a masterful reinvention of the kaiju genre that grounds its spectacular destruction in a deeply human story of postwar guilt and redemption. Takashi Yamazaki delivers both the most emotionally resonant character drama and the most terrifying Godzilla in decades, proving that the franchise's heart has always been its human cost. The film's $15 million budget makes its visual effects all the more impressive.
“Viscerally exciting and surprisingly tender, 'Godzilla Minus One' is a monster movie that never forgets its human heart.”
Jeannette Catsoulis
The New York Times
“The movie is a triumph of low-budget ingenuity, delivering spectacle that rivals Hollywood blockbusters while telling a story about survivor's guilt that feels genuinely profound.”
Owen Gleiberman
Variety
“Yamazaki accomplishes what few Godzilla films have managed: he makes the monster's destruction feel earned, and the human drama feel essential.”
David Rooney
The Hollywood Reporter
“This is the best Godzilla film since the original 1954 classic, a work of art that uses its monster to explore the scars of war and the possibility of redemption.”
Brian Tallerico
RogerEbert.com
“A rare blockbuster that earns its tears as well as its roars, 'Godzilla Minus One' is a reminder that the most terrifying monsters are the ones we carry inside us.”
David Ehrlich
IndieWire
Director
Takashi Yamazaki
Writer
Takashi Yamazaki
Composers
Naoki Sato, Akira Ifukube
Cinematographer
Kōzō Shibazaki
Producers
Kenji Yamada, Go Abe, Kazuaki Kishida, Keichiiro Moriya
Academy Awards (2024)
Best Visual Effects: Won
Japan Academy Film Prize (2024)
Best Picture: Won
Japan Academy Film Prize (2024)
Best Director: Won
Japan Academy Film Prize (2024)
Best Screenplay: Won
Japan Academy Film Prize (2024)
Best Cinematography: Won
Japan Academy Film Prize (2024)
Best Score: Won
Saturn Awards (2024)
Best International Film: Won
Asian Film Awards (2024)
Best Visual Effects: Won
Visual Effects Society Awards (2024)
Outstanding Visual Effects in a Photoreal Feature: Won
Join the community
fans discussing