“Aldous Snow is the sort of rock star who can seriously propose himself for the role of White African Jesus. What would his duties be?”
Roger Ebert
RogerEbert.com

United States"One intern. One rock star. Zero boundaries."
Pinnacle Records is on its last legs, and the label's desperate CEO Sergio Roma (Sean "Diddy" Combs) sees one last shot at salvation: a comeback concert at the Greek Theatre in Los Angeles, headlined by Aldous Snow, the British rock star whose career has nosedived since his disastrous concept album African Child. The task of fetching Snow falls to Aaron Green (Jonah Hill), a young and anxious junior executive who has idolized Snow since his teens. What begins as a simple business trip turns into a chaotic, drug-fueled odyssey that tests Aaron's loyalty, patience, and sanity at every turn.
Directed by Nicholas Stoller, who co-wrote the script with Jason Segel, the film is a spin-off of Stoller's 2008 comedy Forgetting Sarah Marshall, with Russell Brand reprising his scene-stealing role as the hedonistic Aldous Snow. The cast also includes Rose Byrne as Snow's pop-star ex-girlfriend Jackie Q, Elisabeth Moss as Aaron's pragmatic girlfriend Daphne, and a slew of celebrity cameos, including Metallica's Lars Ulrich and singer P!nk. Produced by Judd Apatow's team, the movie carries the signature Apatow blend of raunchy humor and unexpected heart. With a reported budget of $40 million, it grossed over $90 million worldwide, proving that audiences were game for another round of Snow's outrageous antics.
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Aldous Snow's career has been in freefall since the release of African Child, a pretentious concept album that became a punchline. His public meltdowns, substance abuse, and very public breakup with pop star Jackie Q have turned him into a tabloid fixture. Meanwhile, Aaron Green is a junior executive at Pinnacle Records, a struggling label on the verge of collapse. When CEO Sergio Roma learns that the Greek Theatre in Los Angeles is available for a 10th-anniversary concert celebrating Snow's legendary 2000 show there, he hatches a plan: bring Snow back for a comeback that could save the company.
Aaron is given the unenviable task of flying to London, convincing Snow to participate, and getting him to LA within 72 hours. He arrives to find Snow living in a state of chaotic hedonism, surrounded by sycophants, drugs, and delusions of grandeur. Snow initially dismisses the concert as beneath him, but Aaron's persistence, combined with Snow's fragile ego, eventually wins him over.
The journey from London to Los Angeles becomes a boundary-pushing road trip. A chaotic in-flight incident involving drugs and a vomiting passenger sets the tone. A stop in Las Vegas spirals out of control when Snow's behavior lands them in a nightclub disaster. A tense encounter with Jackie Q reignites old wounds. Meanwhile, Aaron's personal life deteriorates as Daphne grows distant, frustrated by his constant excuses and his apparent prioritization of Snow over their relationship. Sergio pressures Aaron relentlessly, demanding results while offering little support.
As the clock ticks down, Aaron finds himself increasingly entangled in Snow's world, his own values and sobriety threatened. The story builds toward the climactic anniversary concert, where everything Aaron has sacrificed hangs in the balance. The film's irreverent, fast-paced tone blends music-industry satire with buddy-comedy chaos, but beneath the raunchy humor lies a story about ambition, mentorship, and the cost of chasing success.
'Get Him to the Greek' Trailer
Get Him to the Greek Trailer
Critical Consensus
The film succeeds largely on the strength of Russell Brand's magnetic, scene-stealing performance as Aldous Snow, which elevates what might otherwise be a formulaic buddy comedy. While critics note that the plot meanders and the third act loses momentum, the chemistry between Hill and Brand, combined with Stoller's sharp direction and the film's self-aware music-industry satire, delivers enough laughs to justify the runtime. It's a raunchy, energetic comedy that doesn't take itself too seriously, even when its themes occasionally touch on genuine emotional territory.
“Aldous Snow is the sort of rock star who can seriously propose himself for the role of White African Jesus. What would his duties be?”
Roger Ebert
RogerEbert.com
“Despite a messy third act, Brand and Hill make 'Greek' worth the price of admission.”
NBC Washington Staff
NBC Washington
“Get Him to the Greek provides few clues regarding the behaviour of which Brand is later accused. Though Snow is a wild-living rock star, under...”
The Telegraph
The Telegraph
“I knew I'd get a laugh out of Get Him to the Greek, a new comedy from the Apatow team about Aldous Snow (played by comedian Russell Brand)...”
Splice Today
Splice Today
Director
Nicholas Stoller
Writers
Nicholas Stoller, Jason Segel
Composer
Lyle Workman
Cinematographer
Robert D. Yeoman
Producers
Judd Apatow, Rodney Rothman, David L. Bushell, Nicholas Stoller
Teen Choice Award (2010)
Choice Movie: Comedy: Nominated
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