“It’s a gentle, almost languidly paced film, but it’s also one of the Studio Ghibli’s most visually appealing and emotionally resonant works.”
Justin Chang
Variety
Set in the picturesque port city of Yokohama in 1963, From Up on Poppy Hill transports viewers to a Japan on the brink of significant change. The nation is embracing modernity, with the upcoming 1964 Tokyo Olympics on the horizon, symbolizing a new era of progress and optimism. Amidst this backdrop of societal transformation, the film introduces Umi Matsuzaki, a diligent and kind-hearted high school student. Umi lives in a traditional boarding house, managed by her widowed mother, Hana, and two younger siblings, Sora and Riku. Her daily routine is marked by responsibility, including helping prepare breakfast for the boarders and tending to a small garden where she maintains wildflowers, each with a card remembering her lost merchant marine father.
The narrative ignites when Umi encounters Shun Kazama, a spirited fellow student deeply involved in saving the school’s historic clubhouse, the “Latin Quarter,” from demolition. Drawn to his idealism, Umi joins the student protest movement, contributing to their newspaper and helping design a new masthead. As they work together, a tender romantic connection blossoms between them, built on shared passion and mutual respect. However, their burgeoning relationship is soon shadowed by a complex mystery: Umi and Shun discover they may share a hidden past, a secret that could tie them together in an unexpected way, forcing them to confront not only their feelings but also the implications of their shared history.
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The year is 1963, and the port city of Yokohama is buzzing with anticipation for the 1964 Tokyo Olympics. Japan is on the cusp of a new era, marked by rapid modernization and a hopeful outlook. In this setting, we meet Umi Matsuzaki, a responsible high school student who helps run her family’s boarding house. Her days are filled with domestic duties and tending to a small garden, a quiet space where she keeps wildflowers, each a memorial to her father, a merchant marine lost at sea years ago. Umi’s life is one of routine and quiet remembrance, providing a stable presence for her younger siblings and the boarders.
Things begin to shift when Umi crosses paths with Shun Kazama, a charismatic and passionate student leading a movement to save the dilapidated but historically significant “Latin Quarter,” the school’s clubhouse. The building is slated for demolition to make way for new development, and Shun is determined to preserve this vital hub of student activity and creativity. Umi, inspired by his conviction, decides to join the cause. She starts contributing to the students’ campaign, even designing a new masthead for their publication, the school newspaper.
As Umi and Shun collaborate on saving the Latin Quarter, their initial camaraderie deepens into a genuine romantic connection. They find common ground in their shared ideals and their dedication to preserving something they both value. Their bond grows stronger with each shared effort, creating a tender and compelling young love story against the backdrop of impending societal change. Their shared experiences and growing affection paint a picture of youthful idealism and the power of collective action.
However, their budding romance takes a dramatic turn when a startling revelation surfaces. Umi and Shun discover evidence suggesting they might be related, possibly siblings. This shocking possibility casts a dark shadow over their relationship, creating immense emotional turmoil. The narrative then shifts focus to their quest to uncover the truth about their past. They begin to investigate their family histories, seeking answers that could either confirm their fears or clear the way for their love. This personal mystery intertwines with the larger struggle to save the Latin Quarter, as the fate of both their relationship and the beloved clubhouse hangs in the balance. Their journey to uncover the truth becomes a test of their courage and their commitment to each other, as they navigate the complexities of identity and family history.
Official US Trailer
Official Australian Trailer [Subtitled]
Critical Consensus
A tender and nostalgic animated drama, From Up on Poppy Hill is a beautifully rendered coming-of-age story that captures the hopeful spirit of post-war Japan with gentle storytelling and exquisite animation.
“It’s a gentle, almost languidly paced film, but it’s also one of the Studio Ghibli’s most visually appealing and emotionally resonant works.”
Justin Chang
Variety
“From Up on Poppy Hill is a rare and welcome thing: a Ghibli film that feels both deeply personal and universally relatable.”
Andrew Barker
Variety
“A beautifully drawn, exquisitely detailed animated feature that is also a wonderfully crafted, old-fashioned melodrama.”
Stephen Holden
The New York Times
“The film is a lushly animated, if somewhat meandering, coming-of-age story set in a Japan poised between tradition and modernity.”
Todd McCarthy
The Hollywood Reporter
Director
Goro Miyazaki
Writers
Keiko Niwa, Hayao Miyazaki, Tetsuro Sayama, Chizuru Takahashi
Composer
Satoshi Takebe
Cinematographer
Atsushi Okui
Producers
Toshio Suzuki, Chizuru Takahashi, Tetsuro Sayama
Asia Pacific Screen Awards (2011)
Best Animated Feature Film: Nominated
Japan Academy Prize (2012)
Best Animation Film: Won
Japan Academy Prize (2012)
Outstanding Performance by an Actor in a Supporting Role: Nominated
Blue Ribbon Awards (2012)
Best Film: Won
Mainichi Film Awards (2011)
Best Animation Film: Won
Hochi Film Awards (2011)
Best Film: Won
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