“Barrymore brings a spark and sassy energy to the role that makes Danielle feel like a real person rather than a plot device.”
Roger Ebert
Chicago Sun-Times
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In 1998, director Andy Tennant reimagined the classic fairy tale with a historical twist that grounded the story in 16th-century France. The film stars Drew Barrymore as Danielle de Barbarac, a spirited young woman who refuses to accept her reduced status after her father dies. Her stepmother and stepsisters treat her like a servant, yet Danielle retains her dignity through her sharp wit and love of reading.
This version strips away the magic of talking animals and fairies. Instead, the narrative relies on human agency and intelligence. Prince Henry, played by Dougray Scott, meets Danielle while hiding from his royal duties. Their connection forms not through enchantment but through shared conversations about history and philosophy. The film balances romantic comedy elements with a serious look at class structures and female autonomy during the Renaissance.
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Danielle de Barbarac lives in rural France where she spends her days studying history books left by her late father. Her mother died when she was young, leaving her alone with her father until his death shortly before the story begins. Madame de Chassaigne arrives with her two daughters, Marguerite and Jacqueline, and takes over the household. She immediately pushes Danielle into servitude while treating her own children with indulgence. Danielle works hard in the kitchen and stables but keeps her spirit alive through her education and interactions with the local Baroness.
Prince Henry flees Paris to escape an arranged marriage to Princess Caroline of Navarre. He wanders into the countryside near Danielle's home and encounters her while she is working. They argue about the nature of royalty and freedom. Henry expects deference from everyone he meets, but Danielle challenges him directly. She teaches him that a ruler should understand the people he governs rather than just commanding them. Their time together sparks a genuine attraction based on mutual respect.
The King announces a grand ball to find a bride for his son. Madame de Chassaigne plans to use this event to marry one of her daughters to the prince. She forbids Danielle from attending and confiscates her clothes. Determined to see Henry again, Danielle seeks help from the Baroness. The wealthy widow provides a beautiful gown and transportation to the palace. At the ball, Danielle captivates the court with her grace and intelligence. She dances with Henry, deepening their bond before she must flee at dawn.
Danielle leaves behind a glass slipper, which becomes the key to finding her. The Prince launches a kingdom-wide search to identify the mysterious girl who changed his life. He visits various estates trying the slipper on different women. Meanwhile, Danielle returns to her life of servitude, unaware that the Prince is closing in on her location. The tension builds as the Prince arrives at the de Chassaigne estate to test the slipper on the stepsisters.
The search continues with increasing urgency. Henry realizes that only the girl he met in the woods could fit the shoe perfectly. He tracks down the de Chassaigne residence expecting to find one of the vain sisters. Instead, he discovers Danielle working as a maid. The situation creates a dramatic confrontation between the Prince's desire for the truth and the stepfamily's attempts to hide her identity. The climax hinges on whether Danielle will reveal herself or remain hidden to protect her new relationship.
Ever After | Official Trailer
Critical Consensus
Critics praised the film for its fresh take on the Cinderella mythos and Drew Barrymore's spirited performance. While some found the pacing uneven, the movie succeeded in modernizing a classic without losing its charm. The empowering message regarding female autonomy resonated with audiences.
“Barrymore brings a spark and sassy energy to the role that makes Danielle feel like a real person rather than a plot device.”
Roger Ebert
Chicago Sun-Times
“A delightful update that strips away the magic to reveal a story of resilience and wit. Maggie Smith steals every scene.”
Variety Staff
Variety
“Andy Tennant has crafted a version of Cinderella that feels surprisingly contemporary, focusing on intelligence over passive waiting.”
Janet Maslin
The New York Times
Director
Andy Tennant
Writer
Andy Tennant
Composer
Trevor Rabin
Cinematographer
John Seale
Producers
David Hoberman, Todd Lieberman, Andy Tennant
MTV Movie Awards (1999)
Best Breakthrough Performance: Won
Teen Choice Awards (1999)
Choice Movie - Romance: Won
Saturn Awards (1999)
Best Fantasy Film: Nominated
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