“Florence Pugh gives a performance of such raw, committed intensity that she almost makes you believe the movie is more coherent than it is. She's the film's saving grace, even when it lets her down.”
Owen Gleiberman
Variety

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Don't Worry Darling is a psychological thriller set in the seemingly perfect 1950s planned community of Victory, California. Alice Chambers (Florence Pugh) lives a life of pastel dresses and cocktail parties with her devoted husband Jack (Harry Styles) in this desert utopia. But when she starts experiencing violent hallucinations and the other wives begin disappearing, Alice realizes that the community's charming facade hides something deeply sinister.
Directed by Olivia Wilde, the film generated enormous buzz before its release thanks to a high-profile cast and a production marked by tabloid drama. From the Shia LaBeouf casting controversy to the infamous Venice Film Festival spit-gate, the headlines often overshadowed the movie itself. Yet at its core, Don't Worry Darling is a sleek, stylish meditation on gender roles and the illusion of the American Dream, anchored by a ferocious lead performance from Florence Pugh.
The film's production design is a standout, with cinematographer Matthew Libatique using vintage lenses to create a sun-baked, mid-century aesthetic that feels both nostalgic and deeply unnerving. Composer John Powell's score shifts from warm orchestral passages to glitchy, electronic dissonance as Alice's reality begins to fracture. While critical reception was mixed, the film became a cultural talking point and grossed $86 million worldwide against a $35 million budget.
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Alice Chambers lives in Victory, a pristine 1950s company town nestled in the California desert. Every morning, her husband Jack and the other men drive their gleaming vintage cars to the mysterious Victory Project headquarters, while the wives stay home to maintain flawless houses, attend ballet class, and host perfectly choreographed cocktail parties. Alice's best friend Bunny (Olivia Wilde) and the other women, Margaret (KiKi Layne), Shelley (Gemma Chan), Violet (Sydney Chandler), and Peg (Kate Berlant), seem to embrace their roles with genuine enthusiasm. The community is governed by strict rules: no one can leave Victory, the men's work is never discussed, and any hint of rebellion is quickly crushed by the charismatic Frank (Chris Pine), the project's visionary leader.
Alice initially feels content in her domestic bubble. But things start to unravel when she begins experiencing disturbing hallucinations, visions of a woman dancing in a distorted void, bleeding walls, and eggs shattering in ways that defy physics. These episodes coincide with Margaret's increasingly erratic behavior; Margaret claims she saw something terrible in the desert, and soon after, she disappears. The community doctor (Timothy Simons) dismisses Alice's concerns as stress, but she grows suspicious and starts investigating.
Alice's search for answers leads her to a series of unsettling discoveries. She learns that other wives have experienced similar visions but were silenced or sedated. When she tries to drive out of Victory, she crashes her car and wakes up in her bed with Jack insisting she never left. At a community gathering, Alice confronts Frank, who gives a chilling speech about the sacrifices required for happiness. Jack becomes increasingly controlling, monitoring her every move and gaslighting her when she questions reality. The tension escalates as Alice must decide whether to accept her comfortable prison or risk everything to uncover the truth behind the Victory Project.
Official Trailer #2
Official Trailer
Critical Consensus
Don't Worry Darling is a visually striking psychological thriller that boasts a committed performance from Florence Pugh, but its derivative plot, muddled themes, and behind-the-scenes controversy overshadow its ambitions, resulting in a film that looks better than it plays.
“Florence Pugh gives a performance of such raw, committed intensity that she almost makes you believe the movie is more coherent than it is. She's the film's saving grace, even when it lets her down.”
Owen Gleiberman
Variety
“Despite its glossy mid-century modern surfaces and a Game-like premise that initially intrigues, the film quickly devolves into a derivative hybrid of The Stepford Wives, The Truman Show, and Get Out, without the satirical bite or emotional depth of any of them.”
David Rooney
The Hollywood Reporter
“Florence Pugh gives a performance that deserves a better movie, one that doesn't rely on a twist that most viewers will see coming from the first act and that wastes a talented ensemble in service of a message that's as shallow as it is familiar.”
Brian Tallerico
RogerEbert.com
“Olivia Wilde's second feature as director is a glossy, handsomely mounted thriller that looks fabulous but feels hollow. It's a movie about surfaces that never quite gets beneath its own.”
Peter Bradshaw
The Guardian
“Pugh is phenomenal, but her powerhouse performance can't save a film that's more interested in its own cleverness than in building genuine suspense or emotional resonance.”
Kate Erbland
IndieWire
Director
Olivia Wilde
Writers
Carey van Dyke, Shane van Dyke, Katie Silberman
Composer
John Powell
Cinematographer
Matthew Libatique
Producers
Miri Yoon, Roy Lee, Katie Silberman, Olivia Wilde
Golden Raspberry Awards (2023)
Worst Actor: Nominated
Golden Raspberry Awards (2023)
Worst Director: Nominated
Golden Raspberry Awards (2023)
Worst Picture: Nominated
Golden Raspberry Awards (2023)
Worst Screenplay: Nominated
Hollywood Critics Association Awards (2023)
Best Actress: Nominated
Saturn Awards (2023)
Best Thriller Film: Nominated
National Board of Review (2022)
Top 10 Independent Films: Won
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