“Only enormously talented people could have made a movie this bad. It's not just a failure, it's a train wreck of epic proportions.”
Roger Ebert
Chicago Sun-Times
In 2002, Danny DeVito directed a film that would become a cult favorite for its audacious dark humor. Death to Smoochy stars Robin Williams as Rainbow Randolph, a children's TV host whose career implodes after a bribery scandal. Edward Norton steps in as Sheldon Mopes, an earnest performer who becomes Smoochy the Rhino, a wholesome character who quickly wins over audiences. The film's sharp satire takes aim at the hypocrisy and corruption lurking behind the cheerful facade of kids' programming.
Despite a hefty $55 million budget, the movie grossed only $8.4 million worldwide, making it a notable box office bomb. Critics were divided, with many finding its tone too cynical, but the film has since gained a devoted following. Robin Williams himself championed it, calling it one of his favorites and lamenting that more people didn't see it. Today, Death to Smoochy is often cited as a misunderstood gem that was ahead of its time.
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Rainbow Randolph is the biggest star in children's television, known for his rainbow-colored set and infectious energy. But behind the scenes, he's a bitter, corrupt performer who takes bribes from parents desperate to get their kids on his show. When a sting operation catches him red-handed, the network fires him in disgrace, and he spirals into homelessness and obsession.
His replacement is Sheldon Mopes, a gentle soul who has spent years performing at birthday parties and community centers. Sheldon creates Smoochy, a large purple rhino who sings about kindness and friendship. Unlike Randolph, Smoochy genuinely believes in the message, and his sincerity resonates with children and parents alike. The network, led by the calculating Marion Frank Stokes, sees Smoochy as a ratings goldmine and quickly builds him into a sensation.
Randolph, now broke and homeless, becomes consumed with revenge. He believes Smoochy stole his job, his house, and his legacy. He begins a campaign of sabotage, from disrupting Smoochy's live shows to plotting increasingly violent schemes. Meanwhile, Smoochy navigates a treacherous industry filled with backstabbing agents, greedy executives, and even the Irish mob.
Nora Wells, the network's head of children's programming, initially sees Smoochy as just another product. But as she gets to know him, she finds herself drawn to his genuine nature. Her pragmatic view of the business clashes with Smoochy's idealism, creating a complex dynamic. Smoochy's agent, Burke Bennett, is a sleazy operator who cares only about his commission, and he secretly works with the mob to exploit Smoochy's success.
The mob, led by Buggy Ding Dong, uses a children's charity as a front for money laundering. Smoochy stumbles onto this scheme, and his moral compass forces him to confront the corruption head-on. As the pressure mounts, Smoochy must decide whether to expose the truth or protect his career. His decision sets the stage for a chaotic confrontation that will test his values and his survival instincts.
Death to Smoochy (2002) Original Trailer [FHD]
Critical Consensus
A dark satire that misses as often as it hits, Death to Smoochy boasts committed performances but its mean-spirited tone and chaotic plot undermine its aims. It has since gained a cult following for its audacity.
“Only enormously talented people could have made a movie this bad. It's not just a failure, it's a train wreck of epic proportions.”
Roger Ebert
Chicago Sun-Times
“Robin Williams brings his manic energy to this gleefully twisted children's TV revenge-o-rama, a blacker-than-black satire that's never received proper recognition.”
Peter Bradshaw
The Guardian
“Death to Smoochy is one of three movie masterpieces buried on Tubi right now, an underrated cult classic that deserves to be rediscovered.”
Polygon Staff
Polygon
Director
Danny DeVito
Writer
Adam Resnick
Composer
David Newman
Cinematographer
Anastas N. Michos
Producers
Andrew Lazar, Peter Macgregor-Scott
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