“Mr. Cruise is mesmerizing as a psychopath who speaks with the cool, detached voice of a man who has seen too much and feels nothing.”
A.O. Scott
The New York Times

United States"One night. Four stops. No escape."
A routine night shift for Los Angeles cab driver Max Durocher takes a dark turn when he picks up Vincent, a mysterious passenger who demands $600 to drive him across the city. This high-stakes thriller from director Michael Mann transforms a simple ride into a tense cat-and-mouse game that spans twelve hours of urban chaos. Tom Cruise delivers a chilling performance as Vincent, while Jamie Foxx anchors the story as the nervous but good-hearted driver caught in the middle.
Produced with a budget of $65 million, Collateral became a significant box office hit, grossing over $220 million worldwide. Its blend of crime drama and psychological tension earned it a solid rating of 7.2 out of 10 from audiences. Unlike many action movies that rely on explosions, this project focuses on character study and atmospheric pressure. The result is a modern classic that proves a single night can change everything.
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The story begins at Los Angeles International Airport where Max Durocher waits for fares after a long shift. He spots Vincent waiting by the curb and agrees to take him anywhere for $600. Vincent reveals he needs a driver for five specific locations within twelve hours. When Max hesitates, Vincent pulls a gun and executes a man sitting nearby, proving he is a contract killer. Max realizes he cannot leave until the job is done. Vincent lists his targets: a corrupt police officer named Frank Pedrosa, a nightclub owner named Felix Reyes-Torrena, and a federal prosecutor named Annie Farrell.
As they drive through the neon-soaked streets of downtown LA, Vincent explains his philosophy. He claims everyone has a purpose and that Max is merely collateral damage in the grand scheme of things. He tries to convince Max to join him, offering money and a new life. Max refuses, terrified but forced to comply. The first target is Pedrosa, found hiding in a motel room. Vincent kills him quickly, showing no remorse. They move to the second location, a busy nightclub where Felix is hosting a party. Vincent shoots Felix in front of a crowd, creating panic before escaping with Max.
Detectives Ray Fanning and Richard Weidner arrive at the scenes but struggle to track the killers. They suspect a serial killer is at work but lack concrete evidence. Meanwhile, Max grows increasingly anxious about his friend Zee, another cab driver who might be in danger. Vincent dismisses her importance, viewing anyone not involved in his plan as expendable. The tension mounts as the clock ticks down toward the final target.
The group heads to the home of Annie Farrell, a lawyer holding evidence against a drug kingpin. Vincent intends to kill her to silence the trial. Detectives Fanning and Weidner follow them, setting up a perimeter around the house. Max sees an opportunity to save Annie but fears for his own life. Vincent threatens to kill Max if he interferes. The situation escalates into a violent confrontation involving multiple weapons and a desperate fight for survival. Max must decide whether to stay a victim or take control of his destiny.
Throughout the night, the film explores the interconnectedness of lives in a sprawling metropolis. Every character Max meets plays a role in the unfolding drama. From the traffic cop who almost stops them to the cab driver who warns him, each interaction adds layers to the narrative. The atmosphere remains tense and claustrophobic, emphasizing the isolation of the city at night. Vincent's calm demeanor contrasts sharply with Max's growing fear and anger. By the time they reach the final destination, both men have changed irrevocably.
Theatrical Trailer
Teaser Trailer
Critical Consensus
Critics praised the film for its atmospheric tension, the chemistry between Tom Cruise and Jamie Foxx, and Michael Mann's masterful direction. While some felt the plot was familiar, the execution was considered top-tier, with particular acclaim for Cruise's departure from his usual heroic roles into a chilling villainous persona. The film is often cited as a modern neo-noir classic that successfully blends action with character study.
“Mr. Cruise is mesmerizing as a psychopath who speaks with the cool, detached voice of a man who has seen too much and feels nothing.”
A.O. Scott
The New York Times
“Tom Cruise is so good in Collateral that you forget he's Tom Cruise. He disappears into the role of a cold-blooded killer, delivering lines with a chilling precision.”
Roger Ebert
Chicago Sun-Times
“Michael Mann has crafted a thriller that is as much a character study as it is a suspenseful ride through the night.”
Kenneth Turan
Los Angeles Times
Director
Michael Mann
Writers
Stuart Beattie, Frank Darabont, Michael Mann
Composers
António Pinto, James Newton Howard
Cinematographers
Dion Beebe, Paul Cameron
Producers
Michael Mann, Julie Richardson
BAFTA Awards (2005)
Best Sound: Nominated
Saturn Awards (2005)
Best Action/Adventure/Thriller Film: Nominated
Visual Effects Society Awards (2005)
Outstanding Visual Effects in a Motion Picture: Nominated
Black Reel Awards (2005)
Best Supporting Actor: Won
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