“Ray Harryhausen has been making fantastic creatures come to life on the screen for more than 30 years, and 'Clash of the Titans' is a worthy showcase for his talents. The movie's special effects are its real stars.”
Roger Ebert
Chicago Sun-Times

United States"The ultimate struggle for power pits men against kings and kings against gods."
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Clash of the Titans
In 1981, a fantasy epic landed that would become the last great showcase of Ray Harryhausen's stop-motion magic. Clash of the Titans retold the myth of Perseus with a blend of old-school craftsmanship and grand spectacle, introducing audiences to creatures like Medusa and the Kraken in ways that still inspire awe. The film was a passion project for Harryhausen, who had dreamed of bringing the Gorgon to the screen since the 1950s, but it took decades to secure financing.
The story pits a mortal hero against the whims of the gods, with Laurence Olivier's Zeus and Maggie Smith's Thetis pulling strings from Mount Olympus. It's a tale of hubris, sacrifice, and courage, wrapped in lavish sets and sweeping orchestral music. Critics were mixed at the time, but audiences embraced its charm, and it grossed over $41 million domestically against a $15 million budget.
More than four decades later, the film holds a special place in cinema history. It was the final theatrical feature to use Harryhausen's signature stop-motion animation, marking the end of an era as CGI began to rise. Its legacy lives on in the 2010 remake and the 2012 sequel Wrath of the Titans, but for many, the original remains the definitive version, a reminder of when movie monsters were made by hand.
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On Mount Olympus, Zeus (Laurence Olivier) grows weary of humanity's neglect, yet he takes a mortal woman, Danaë, as his lover. When Danaë's father, King Acrisius, casts her and her infant son Perseus into the sea, Zeus guides them safely to the island of Seriphos. There, Perseus is raised by the fisherman Spyros and his family, unaware of his divine heritage.
Years later, a handsome young Perseus (Harry Hamlin) travels to the city of Joppa, where he falls for Princess Andromeda (Judi Bowker). But her mother, Queen Cassiopeia (Siân Phillips), boasts that Andromeda is more beautiful than the sea goddess Thetis (Maggie Smith). Enraged, Thetis demands Andromeda be sacrificed to the monstrous Kraken or Joppa will be destroyed.
Zeus, protective of his son, secretly provides Perseus with gifts: a magical sword, a mirrored shield, a helmet of invisibility, and the winged horse Pegasus. The mechanical owl Bubo, a creation of Hephaestus, also joins the quest. Perseus learns that the only way to defeat the Kraken is to present it with the severed head of Medusa, the Gorgon whose gaze turns flesh to stone.
With a band of soldiers from Joppa, Perseus travels across the ancient world, facing the two-headed dog Dioskilos and navigating the cursed land where Medusa dwells. Thetis repeatedly tries to thwart him, but Perseus presses on. The journey tests his courage and wit, and he must rely on the gifts of the gods while proving his own mortal strength.
Along the way, he encounters the wise poet Ammon (Burgess Meredith), who offers counsel, and he discovers the truth about his parentage. The quest builds toward a final confrontation, where Perseus must use Medusa's head to petrify the Kraken before it claims Andromeda. The film weaves themes of destiny, divine interference, and the power of human determination into a sweeping adventure that remains a beloved classic of pre-CGI fantasy.
Official Trailer
Critical Consensus
Clash of the Titans is a charming fantasy adventure that showcases Ray Harryhausen's legendary stop-motion animation, with memorable creatures and a sense of wonder, even if the dialogue and performances feel dated.
“Ray Harryhausen has been making fantastic creatures come to life on the screen for more than 30 years, and 'Clash of the Titans' is a worthy showcase for his talents. The movie's special effects are its real stars.”
Roger Ebert
Chicago Sun-Times
“The special effects, by Ray Harryhausen, are as good as ever, but the movie itself is a rather solemn affair, with the actors sometimes looking as if they'd rather be elsewhere.”
Vincent Canby
The New York Times
“Harryhausen's creatures are the real stars here. When Medusa's head is held aloft, the audience gasps. It's a spectacle that reminds us why we go to the movies.”
Gene Siskel
Chicago Tribune
“The picture is a visual treat for the kids and for those who retain a sense of wonder, but the dialogue is often stilted and the performances are uneven.”
Variety Staff
Variety
Director
Desmond Davis
Writer
Beverley Cross
Composer
Laurence Rosenthal
Cinematographer
Ted Moore
Producers
Ray Harryhausen, Charles H. Schneer, Martin B. Cohen
Saturn Awards (1982)
Best Fantasy Film: Nominated
Saturn Awards (1982)
Best Actor: Nominated
Saturn Awards (1982)
Best Supporting Actress: Nominated
Saturn Awards (1982)
Best Music: Nominated
Saturn Awards (1982)
Best Special Effects: Nominated
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