“The folie à deux vibe is unmistakable: Caroline would never have started robbing banks on her own, and maybe Oliver wouldn't have 'graduated' to larger jobs either.”
Sheila O'Malley
RogerEbert.com

Caroline Daniels works a gas station register in West Texas, watching dust devils spin across the asphalt. Her father Hank raised her alone after her mother vanished. Then a stranger in a Chevy rolls in and runs a short-change scam on the elderly cashier. Caroline doesn't turn him in. She follows him out to the parking lot and asks for a date.
Adam Rehmeier's Carolina Caroline stars Samara Weaving as that restless small-town woman and Kyle Gallner as Oliver, the con man who offers her an escape hatch. What starts as a romantic road trip across the Southeast becomes a string of heists, bank robberies, and a deepening folie à deux. The film premiered at the Toronto International Film Festival in September 2025 and hit US theaters June 5, 2026 through Magnolia Pictures. It runs 1 hour 47 minutes and carries an R rating for violence and language.
Rehmeier, who previously directed Dinner in America and Snack Shack, shot the film on location across Texas, Arkansas, Georgia, and South Carolina. Chris Bear of Grizzly Bear composed the score, and the soundtrack leans into narrative country-rock songs that mirror the couple's drift through roadside motels and small-town banks. Early reviews praised the electric chemistry between Weaving and Gallner, with the film earning a 91% Tomatometer score from 75 critics.
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A young woman in a black wig stumbles out of a motel, vomits in the parking lot, carjacks a pickup truck, and drives off. The film rewinds to three months earlier, in Texas.
Caroline Daniels works the register at a gas station in a small West Texas town. She lives with her devoted father Hank, who raised her alone after her mother Deborah abandoned the family when Caroline was an infant. The days blur together until a handsome stranger named Oliver Anderson walks in and runs an elaborate short-change scam on the elderly cashier, confusing the arithmetic so he walks away with more money than he paid. Caroline watches him intently, then chases him out to the parking lot. She doesn't want to expose him. She wants his attention.
Their first date lasts all night. Oliver is a smooth-talking con man with a hidden agenda, but their connection is immediate and electric. When Caroline mentions she has never traveled and has always wanted to see South Carolina, where her estranged mother lives, Oliver says, Let's go. She tells her father goodbye, and the two hit the road in his cool Chevy.
What begins as a romantic adventure quickly escalates. Oliver teaches Caroline the art of the con: pickpocketing, shoplifting, and manipulating cashiers with the paper moon scam where she confuses them into giving back double her change. The early crimes feel like a game, foreplay to their lovemaking on a bed scattered with dollar bills. But the tone shifts when they graduate to bank robberies. Caroline proves a quick study, learning to use disguises and her charm to pull off heists. After one robbery, Oliver threatens an employee who sees her disguise with a gun, creating tension between them. Caroline begins to question their morality, asking Oliver, How do we know if we're good people pretending to be bad, or bad people pretending to be good? He can't answer.
As their notoriety spreads across the Southeast, the couple bounces from Arkansas to Georgia to South Carolina. Caroline insists they go directly to South Carolina to find her mother. The film builds toward this meeting, which promises to puncture Caroline's sentimental fantasy and reveal the truth about her past. But the road keeps throwing obstacles in their path, and the crimes keep getting bigger. The folie à deux is unmistakable: Caroline would never have started robbing banks on her own, and Oliver might not have escalated to larger jobs without her. They are two people who make each other worse, and they can't stop.
Official Trailer
Critical Consensus
Carolina Caroline doesn't reinvent the Bonnie and Clyde formula, but it doesn't need to. Powered by electric chemistry between Samara Weaving and Kyle Gallner, Adam Rehmeier's Southern Gothic road thriller balances romance and violence with style. The familiar narrative beats are elevated by strong performances, sharp editing, and a 1970s Americana vibe that gives the film its own distinctive character.
“The folie à deux vibe is unmistakable: Caroline would never have started robbing banks on her own, and maybe Oliver wouldn't have 'graduated' to larger jobs either.”
Sheila O'Malley
RogerEbert.com
“The actors are so fizzy and sexy together that we, like Caroline, can initially see their petty criminal exploits as just a bit of a game, mere foreplay to their lovemaking on a bed scattered with stray dollar bills.”
Owen Gleiberman
Variety
“It's flashier, more colorful, more emotional, and more of just everything. Boosted by a fantastic cast with an effervescent Samara Weaving and a cool and charismatic Kyle Gallner.”
Ross Bonaime
Collider
“The script hints at the notion that Caroline has bitten off more than she can chew without understanding the implications, and that Oliver is so intoxicated with her that his judgment takes a back seat.”
Susan Granger
Assignment X
“Kyle Gallner and Samara Weaving have excellent chemistry as thieving couple Oliver and Caroline. This take on bank robbing star-crossed lovers has surprising depth that manages to make a familiar premise feel fresh again.”
Joshua Ryan
Josh At The Movies
Director
Adam Rehmeier
Writers
Tom Dean, William Thomas Dean IV
Composer
Christopher Bear
Cinematographer
Jean-Philippe Bernier
Producers
Stephen Braun, Tim White, Trevor White, Eric B. Fleischman, Chris Abernathy
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