“The most dangerous comedy in the world... It's also one of the funniest.”
Mick LaSalle
San Francisco Chronicle

United Kingdom"Come to Kazakhstan. It's nice!"
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Borat
Sacha Baron Cohen's Borat! Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan hit theaters in 2006 as a boundary-pushing mockumentary that blurred the line between scripted comedy and real-world provocation. Directed by Larry Charles, the film follows Borat Sagdiyev, a fictional Kazakh journalist played by Baron Cohen, as he travels across the United States with the stated goal of making a documentary. In reality, much of the footage captures unsuspecting Americans interacting with Borat, who appears to be a foreigner utterly ignorant of Western customs. The result is a series of cringe-inducing, often hilarious encounters that expose cultural biases and absurdities.
Baron Cohen co-wrote the screenplay with Peter Baynham, Dan Mazer, and Todd Phillips, drawing from his character's origins on the TV show Da Ali G Show. The film also stars Ken Davitian as Borat's producer, Pamela Anderson in a fictionalized version of herself, and Luenell as a prostitute Borat meets. Produced on a budget of $18 million, Borat grossed over $262 million worldwide, becoming a sleeper hit. It earned Baron Cohen a Golden Globe for Best Actor in a Musical or Comedy and an Academy Award nomination for Best Adapted Screenplay. Despite its success, the film sparked controversy: many participants sued the filmmakers, Kazakhstan's government denounced it, and it was banned in most Arab countries. Over time, Borat has been hailed as one of the best comedies of the 2000s. A sequel, Borat Subsequent Moviefilm, followed in 2020.
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Borat Sagdiyev is a Kazakh journalist living in a remote village where anti-Semitism, misogyny, and poverty are the norm. He lives with his wife Oksana, a cow, and various other animals. The Kazakh Ministry of Information sends him to the United States to make a documentary about American culture and bring back knowledge to benefit his nation.
Upon arriving in New York City, Borat is immediately overwhelmed by the sights and sounds. He watches an episode of Baywatch in his hotel room and becomes fixated on Pamela Anderson. Abandoning his original assignment, he decides to travel across America in a dilapidated ice cream truck to find her and make her his wife. He is joined by his producer, Azamat Bagatov, a heavyset, irritable man who grows increasingly frustrated with Borat's antics.
Their cross-country journey is a series of disastrous, unscripted encounters. In a Virginia bed-and-breakfast, Borat's attempt to learn American etiquette leads to a dinner scene where he brings a bag of his own feces to the table. He visits a driving school and nearly causes an accident. At a rodeo in Texas, Borat attempts to sing the Kazakh national anthem but instead delivers a speech praising the United States and supporting the war on terror, provoking an angry reaction from the crowd.
Lost in the countryside, Borat and Azamat are taken in by a kind Jewish couple. Borat, deeply anti-Semitic, believes they are shape-shifting demons and throws money at a cockroach, thinking it is a Jewish insect. The tension between the two travelers escalates when Borat discovers Azamat masturbating to a picture of Pamela Anderson, leading to a physical fight that destroys their hotel room. They part ways, but Borat, now alone and broke, continues his quest.
He meets Luenell, a prostitute, at a dinner party and bonds with her over their shared vulgarity. He also encounters various Americans, including a group of feminists, a gun enthusiast, and a humor consultant, each interaction revealing more about American society's absurdities. Borat eventually learns Azamat's whereabouts and reunites with him, and they continue toward California, where Pamela Anderson is making a public appearance. The journey stops just before the final confrontation, with Borat determined to kidnap his dream woman.
Critical Consensus
A brilliantly provocative and hilarious mockumentary, Borat uses shock value and outrageous satire to expose hypocrisy and prejudice in American society, anchored by Sacha Baron Cohen's fearless, committed performance.
“The most dangerous comedy in the world... It's also one of the funniest.”
Mick LaSalle
San Francisco Chronicle
“Baron Cohen is a comic genius... The movie is a riot of cringe-inducing, laugh-out-loud moments.”
Peter Travers
Rolling Stone
“It's a movie that makes you laugh at things you never thought you'd laugh at, and it makes you think about why you're laughing.”
Manohla Dargis
The New York Times
“It is a film of transcendent outrageousness... It is also a film of great, if often unacknowledged, intelligence.”
Roger Ebert
Chicago Sun-Times
“A brilliantly sustained piece of comedic provocation that is both tasteless and brilliant, often in the same breath.”
Todd McCarthy
Variety
Director
Larry Charles
Writers
Sacha Baron Cohen, Peter Baynham, Dan Mazer, Todd Phillips
Composer
Erran Baron Cohen
Cinematographers
Anthony Hardwick, Luke Geissbuhler
Producers
Sacha Baron Cohen, Jay Roach, Dan Mazer, Monica Levinson, Todd Phillips
Academy Awards (2007)
Best Adapted Screenplay: Nominated
Golden Globe Awards (2007)
Best Actor – Motion Picture Musical or Comedy: Won
Writers Guild of America (2007)
Best Adapted Screenplay: Won
MTV Movie Awards (2007)
Best Comedic Performance: Won
BAFTA Awards (2007)
Best Adapted Screenplay: Nominated
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