“The performances are strong, particularly Hewson's deeply unsettling turn, but the plotting requires a patience that the six-hour runtime doesn't always reward.”
Daniel Fienberg
The Hollywood Reporter

Behind Her Eyes, a six-episode psychological thriller limited series, arrived on Netflix on February 17, 2021. Adapted from Sarah Pinborough's 2017 bestseller, the show is set in contemporary London and follows Louise Barnsley, a single mother working as a secretary at a psychiatric practice. Her life becomes a dangerous tangle when she starts an affair with her new boss, the charismatic psychiatrist Dr. David Ferguson, while simultaneously striking up a friendship with his ethereal wife, Adele. As Louise is drawn deeper into the Fergusons' world, she discovers a marriage built on control, secrets, and a past that refuses to stay buried.
The series unfolds across two timelines: the present-day narrative of Louise's entanglement, and flashbacks to Adele's teenage years in a psychiatric facility where she first met David, then a young orderly. These flashbacks introduce Rob, a troubled patient who becomes Adele's closest confidant. Grounded in realism at first, the story gradually introduces supernatural elements through Adele's ability to lucid dream and astral project. The central mystery revolves around the true nature of Adele and David's relationship, the secrets hidden in their past, and the increasingly dangerous game of manipulation that ensnares all three characters. The narrative is meticulously constructed to misdirect the audience, planting clues that only become meaningful in retrospect.
Produced by Left Bank Pictures, the team behind The Crown, and Sony Pictures Television, the series was created and showrun by Steve Lightfoot, with all six episodes directed by Erik Richter Strand. The cast is led by Simona Brown, Eve Hewson, Tom Bateman, and Robert Aramayo. Behind Her Eyes generated enormous discussion upon release, particularly for its shocking twist ending, and was watched by 53 million households in its first 28 days, making it one of Netflix's most-watched English-language limited series of 2021.
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Louise Barnsley is a single mother in her thirties, navigating a difficult co-parenting relationship with her ex-husband Ian while raising their young son Adam. She works as a secretary at a psychiatric practice in London, a job that offers stability but little excitement. That changes when her new boss, Dr. David Ferguson, arrives. Handsome, enigmatic, and intense, David is a psychiatrist with a carefully controlled demeanor. Louise and David begin a passionate affair, meeting in secret and exchanging increasingly intimate confessions.
By chance, Louise meets a woman named Adele at a cafe. Adele is warm, vulnerable, and seemingly lonely. The two women strike up a friendship, with Adele confiding about her difficult marriage to a controlling husband. Louise does not initially realize that Adele is David's wife. When she discovers the truth, she is already too deeply involved with both of them. Adele lives in a luxurious but isolated country house, monitored by David at all times through phone calls and visits. She appears trapped, a bird in a gilded cage. Louise, believing she can help Adele escape David's control, continues both the affair and the friendship, unaware that she is being manipulated in ways she cannot yet fathom.
The series alternates between the present-day narrative and flashbacks to 2004, when a teenage Adele was a patient at a psychiatric facility called Dunning Hills. There she met David, then a young orderly with ambitions of becoming a psychiatrist. The two formed a bond that would define their lives. The flashbacks also introduce Rob, a troubled and charismatic young man who becomes Adele's closest friend at the facility. The three teenagers form an intense, cliquish friendship, but tension simmers beneath the surface. David and Adele's relationship deepens, while Rob grows increasingly possessive and jealous.
Back in the present, Louise begins to notice strange occurrences. Adele seems to know things she should not. David's behavior oscillates between solicitous concern and cold paranoia. Louise discovers a mysterious book in Adele's house about lucid dreaming and astral projection. Adele claims she can leave her body while sleeping and travel as a spirit. She offers to teach Louise the technique, ostensibly to help her escape David's control. Louise is skeptical but intrigued, especially as her own dreams become more vivid and disturbing.
The series builds tension through a classic thriller structure: the first two episodes establish the love triangle and the unsettling dynamics of the Ferguson marriage. Episodes three and four delve deeper into the past and the supernatural elements, revealing the origins of Adele's abilities and the true nature of her relationship with David. The final two episodes accelerate toward a conclusion that recontextualizes everything the audience thought they knew. Themes of identity, obsession, gaslighting, and the lengths people will go to for love and survival are woven through every episode.
Behind Her Eyes | Official Trailer | Netflix
Critical Consensus
Behind Her Eyes is a stylish but uneven psychological thriller that builds effective suspense through its central performances and atmospheric direction. Its reliance on a shocking twist ending divides critics, with some praising the audacity while others find the supernatural elements jarring and the pacing uneven. The series works best as a guilty pleasure for fans of twist-heavy melodrama.
“The performances are strong, particularly Hewson's deeply unsettling turn, but the plotting requires a patience that the six-hour runtime doesn't always reward.”
Daniel Fienberg
The Hollywood Reporter
“It's a preposterous, ridiculous, utterly gripping piece of nonsense that you will devour in a single sitting and then spend hours arguing about.”
Lucy Mangan
The Guardian
“The show's most impressive trick is making you care about characters who are, in retrospect, clearly not who they seem.”
Judy Berman
TIME Magazine
“You'll either be delighted by the audacious final twist or feel like you've wasted six hours. There's no middle ground.”
Richard Roeper
Chicago Sun-Times
“The series is at its best when it leans into the gothic romance of its premise, but the supernatural pivot in the final episodes feels less like a satisfying payoff than a cheat.”
Caroline Framke
Variety
Director
Erik Richter Strand
Writers
Steve Lightfoot, Angela LaManna, Sarah Pinborough
Composer
Rupert Gregson-Williams
Cinematographer
Felix Wiedemann
Producers
Steve Lightfoot, Jessica Burdett, Suzanne Mackie, Andy Harries
BAFTA Scotland Awards (2021)
Best Television Drama: Nominated
National Television Awards (2021)
Best New Drama: Nominated
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