“Edgar Wright's 'Baby Driver' is a movie-movie in the best sense, a high-concept, high-octane joyride that syncs its action to a carefully curated soundtrack.”
Peter Debruge
Variety

Edgar Wright spent over two decades dreaming up Baby Driver before it ever hit the screen. The idea first sparked in 1995 when he heard "Bellbottoms" by The Jon Spencer Blues Explosion and imagined a car chase synced to the song. That single image grew into a full-blown movie where every screech, gunshot, and shift of the gear stick lands on a musical beat. The result is a heist film that plays like a pop song, tight, propulsive, and impossible to sit still through.
Ansel Elgort plays Baby, a young getaway driver in Atlanta who suffers from tinnitus after a car accident killed his parents. He drowns out the ringing with a constant stream of music through his earbuds, and his driving is choreographed to whatever track is playing. Baby works off a debt to Doc (Kevin Spacey), a crime boss who runs heists around the city. When he meets Debora (Lily James), a waitress with a wanderlust spirit, he starts planning his way out of the criminal life. But Doc pulls him back for one last job with a volatile crew that includes Bats (Jamie Foxx), Buddy (Jon Hamm), and Darling (Eiza González).
Shot on a $34 million budget, the film grossed over $226 million worldwide and became a critical darling. Wright insisted on practical stunts, the opening chase was filmed in just one week with multiple cameras and minimal CGI. The soundtrack, featuring tracks from Queen, The Commodores, and Focus, became a cultural touchstone. Baby Driver won Academy Awards for Best Film Editing and Best Sound Editing, and it remains one of the most inventive action movies of the 2010s.
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Baby (Ansel Elgort) is a young man living in Atlanta who works as a getaway driver for a crime boss named Doc (Kevin Spacey). A car accident as a child killed his parents and left him with tinnitus, a constant ringing in his ears. To cope, Baby listens to music almost constantly through his earbuds, and his driving is perfectly timed to the beat of whatever song he's playing. He lives with his deaf foster father, Joseph (CJ Jones), a kind older man who communicates through sign language and knows nothing about Baby's criminal life.
Years earlier, Baby stole a car full of Doc's merchandise. Instead of killing him, Doc forced Baby to work off the debt as his driver. Over time, Baby has become Doc's most reliable asset, completing heist after heist while carefully saving his money. The story opens with Baby already planning his exit, he's just one job away from paying off his debt completely. During a routine bank robbery, Baby executes a breathtaking escape through downtown Atlanta, weaving through traffic with precision timing. The crew includes Griff (Jon Bernthal), a volatile criminal who later gets arrested, leaving Doc in need of replacements.
Between jobs, Baby finds solace at a local diner where he meets Debora (Lily James), a sweet waitress with a wanderlust spirit. They bond over their shared love of old music and their desire to escape their current lives and drive across America together. Their romance develops slowly and genuinely, with Debora unaware of Baby's criminal activities. Baby completes what he believes is his final job, paying off his debt to Doc. But Doc immediately pulls him back in for one more heist, a major armored truck robbery at a post office.
This new job brings together a dangerous crew: Bats (Jamie Foxx), a psychopathic criminal who relishes violence; Buddy (Jon Hamm), a calm, calculating professional; and Darling (Eiza González), Buddy's wife and partner in crime. Bats immediately distrusts Baby, suspicious of his quiet demeanor and his constant music. The central conflict emerges as Baby tries to navigate this final heist while protecting his relationship with Debora and his plans for a clean getaway. The heist goes wrong when Bats kills an innocent security guard unnecessarily, putting the entire crew at risk. Baby refuses to drive for the crew after this murder, leading to a tense standoff. Doc threatens to harm Debora if Baby doesn't cooperate, forcing Baby deeper into a situation he desperately wants to escape.
The story builds toward a climactic confrontation where Baby must choose between his loyalty to Debora, his obligation to Doc, and his own survival. Buddy and Darling's relationship becomes increasingly unstable as the pressure mounts, and Bats' volatility threatens everyone around him. Baby's carefully constructed plan to leave the criminal world behind unravels, and he must find a way out before it's too late.
Official 'TeKillYah' Trailer
International Trailer #2
Official Trailer
Critical Consensus
Baby Driver is a stylish, kinetic thrill ride that showcases Edgar Wright's virtuosic filmmaking. The meticulously choreographed action sequences, synced to a killer soundtrack, elevate a familiar heist narrative into something fresh and exhilarating. Ansel Elgort delivers a charismatic lead performance, and the supporting cast shines, making this one of the most entertaining action films of the year.
“Edgar Wright's 'Baby Driver' is a movie-movie in the best sense, a high-concept, high-octane joyride that syncs its action to a carefully curated soundtrack.”
Peter Debruge
Variety
“Wright has made a movie that moves to its own beat, a symphony of screeching tires and squealing brakes that's as infectious as it is inventive.”
David Ehrlich
IndieWire
“It's a supercharged, adrenaline-pumping action movie that's also a musical, with every screech and bang perfectly timed to the soundtrack.”
Peter Bradshaw
The Guardian
“Wright is a master of visual comedy and action, and 'Baby Driver' is his most purely entertaining film, a love letter to music and movies.”
Brian Tallerico
RogerEbert.com
“A brilliantly conceived and executed automotive action film that's also a musical, a romantic comedy and a crime thriller rolled into one.”
Todd McCarthy
The Hollywood Reporter
Director
Edgar Wright
Writer
Edgar Wright
Composer
Steven Price
Cinematographer
Bill Pope
Producers
Tim Bevan, Eric Fellner, Nira Park
Academy Awards (2018)
Best Film Editing: Won
Academy Awards (2018)
Best Sound Editing: Won
Academy Awards (2018)
Best Sound Mixing: Nominated
BAFTA Awards (2018)
Best Editing: Won
BAFTA Awards (2018)
Best British Film: Nominated
Golden Globe Awards (2018)
Best Motion Picture – Musical or Comedy: Nominated
Golden Globe Awards (2018)
Best Actor – Motion Picture Musical or Comedy (Ansel Elgort): Nominated
Critics' Choice Movie Awards (2018)
Best Action Movie: Won
Critics' Choice Movie Awards (2018)
Best Editing: Won
Empire Awards (2018)
Best Film: Won
Empire Awards (2018)
Best Director (Edgar Wright): Won
Empire Awards (2018)
Best Soundtrack: Won
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