“A fresh and gay musical romance that is as pretty a thing as has been seen on the screen in a long time. It is a delight to the eye and a joy to the ear.”
Bosley Crowther
The New York Times

United States"What a joy! It's M-G-M's Technicolor musical!"
In 1951, MGM released what would become one of the most celebrated musicals in cinema history. An American in Paris tells the story of Jerry Mulligan, an ex-GI who stays in postwar Paris to paint. Living in a Montmartre garret, he navigates the city's art scene, falls for a French shop girl, and wrestles with the attentions of a wealthy patron. The film weaves George Gershwin's timeless score into a narrative about love, ambition, and the pursuit of beauty.
Directed by Vincente Minnelli and choreographed by Gene Kelly, the film was shot in three-strip Technicolor, giving every frame a painterly richness. Its 17-minute ballet finale, inspired by French impressionist artists, remains one of the most ambitious dance sequences ever committed to film. The movie won six Academy Awards, including Best Picture, and helped cement the integrated musical as a dominant Hollywood form.
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Jerry Mulligan (Gene Kelly) is an American ex-soldier who has settled in Paris after World War II, determined to make it as a painter. He lives in a cramped attic studio in Montmartre, scraping by but buoyed by an irrepressible optimism. His closest friend is Adam Cook (Oscar Levant), a brilliant but neurotic concert pianist who works nights at a nightclub. Together they share a passion for art and a disdain for commercial compromise.
Jerry's luck changes when his paintings catch the eye of Milo Roberts (Nina Foch), a wealthy American heiress. Milo offers to sponsor his career, providing a studio, materials, and introductions to influential dealers. The arrangement is ambiguous: Milo clearly harbors romantic feelings, while Jerry appreciates her support but remains uncertain about his own emotions.
The romantic landscape shifts when Jerry meets Lise Bouvier (Leslie Caron), a charming young Frenchwoman working at a perfume counter. Jerry is instantly smitten and pursues her with characteristic energy. But Lise is engaged to Henri Baurel (Georges Guétary), a successful music hall performer who is also a friend of Adam's. Henri is kind, devoted, and seemingly perfect for Lise, creating a classic love triangle.
The story unfolds across the picturesque streets of Paris, with Jerry trying to win Lise's affection while navigating his professional relationship with Milo and his friendship with Adam. The film balances romantic comedy with extended musical sequences that express the characters' inner lives. Jerry's pursuit involves charming encounters at cafes, nightclubs, and landmarks, while Adam provides sardonic commentary on love and art.
The central conflict forces Jerry to choose between genuine love and financial security, between artistic integrity and commercial success, and between pursuing Lise despite her engagement or respecting her commitment to Henri. Milo's growing expectations and Henri's genuine goodness complicate Jerry's position, while Lise struggles with her feelings for two very different men. The story builds toward a resolution that will test everyone's loyalties and dreams.
An American in Paris (1951) - trailer
Critical Consensus
An American in Paris remains a pinnacle of the Hollywood musical, blending George Gershwin's timeless score with Gene Kelly's innovative choreography and Vincente Minnelli's visual artistry. Its Technicolor splendor, romantic spirit, and spectacular ballet finale create an irresistible celebration of art, love, and Paris that endures decades later.
“A fresh and gay musical romance that is as pretty a thing as has been seen on the screen in a long time. It is a delight to the eye and a joy to the ear.”
Bosley Crowther
The New York Times
“A brilliant musical entertainment that combines the talents of some of the top show business artists in a story that is simple but effective. Gene Kelly's choreography is outstanding.”
Variety Staff
Variety
“The film's great set piece is the 'American in Paris' ballet, a 17-minute tour de force that uses some of the most imaginative sets ever created for a musical. It remains one of the great moments in movie musicals.”
Roger Ebert
RogerEbert.com
“It's a lovely, sophisticated entertainment, with a lightness of touch that is rare in movie musicals. The ballet sequence is a triumph of imagination and execution.”
Pauline Kael
The New Yorker
“A magnificent musical achievement that showcases Gene Kelly at his peak as dancer, choreographer, and actor. Leslie Caron is a delightful discovery. The Gershwin score has never been better served.”
The Hollywood Reporter Staff
The Hollywood Reporter
Director
Vincente Minnelli
Writers
Alan Jay Lerner, Ira Gershwin
Composers
George Gershwin, Conrad Salinger
Cinematographer
Alfred Gilks
Producer
Arthur Freed
Academy Award (1952)
Best Picture: Won
Academy Award (1952)
Best Original Screenplay: Won
Academy Award (1952)
Best Cinematography, Color: Won
Academy Award (1952)
Best Art Direction-Set Decoration, Color: Won
Academy Award (1952)
Best Costume Design, Color: Won
Academy Award (1952)
Best Music, Scoring of a Musical Picture: Won
Academy Award (1952)
Best Director: Nominated
Academy Award (1952)
Best Film Editing: Nominated
Golden Globe (1952)
Best Motion Picture – Musical/Comedy: Won
Golden Globe (1952)
Best Actor – Musical/Comedy: Nominated
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