“It's a movie that tries to be everything to everyone, and in the process, it loses the soul of the original. The horror is replaced by spectacle, and the tension by special effects.”
Roger Ebert
Chicago Sun-Times
Part of the Alien series
Series community
United States"It's already too late."
User Score
345000 votes
Part of a Collection
Alien Collection
Two centuries after the events of Alien 3, a clandestine unit within the United Systems Military successfully clones Lieutenant Ellen Ripley from preserved DNA. The operation aboard the USM Auriga was not intended to save her life but to harvest the Xenomorph embryo growing inside her for use as a biological weapon. The resulting subject, known as Ripley 8, possesses the original's memories and combat skills but lacks her trauma, making her an unpredictable variable in a high-stakes experiment.
Director Jean-Pierre Jeunet brought a distinct visual flair to the franchise, shifting the tone from gritty realism to a stylized, gothic horror aesthetic. Sigourney Weaver returned to the role alongside Winona Ryder as Call, an android with a mysterious past, and Ron Perlman as the mercenary Johner. Filmed primarily at Fox Studios in Los Angeles, the production cost $70 million and grossed over $162 million worldwide upon its release in November 1997.
Stream
Availability and pricing can change. Confirm on the provider's site before purchasing.
The narrative begins in a sterile laboratory where scientists have just completed the cloning process. Ripley 8 awakens confused and disoriented, quickly realizing she is being held against her will by Dr. Wren and Dr. Gediman. She learns that her purpose was to serve as a vessel for the Alien Queen embryo, which the military intends to extract and weaponize. Before the procedure can be completed, Ripley escapes the facility, taking advantage of the chaos caused by the premature hatching of the alien creatures within the ship's ventilation systems.
Ripley joins a group of smugglers and mercenaries hired to transport the "cargo" to Earth. The crew includes the cynical Johner, the nervous soldier Christie, the heavy-set enforcer Distephano, and the mute technician Purvis. They are also accompanied by Vriess, a wheelchair-bound scientist, and Elgyn, a feral man raised by aliens who communicates through gestures. As the ship travels toward Earth, tensions rise among the crew members, many of whom view Ripley with suspicion or fear.
The situation deteriorates rapidly as the aliens multiply and begin hunting the crew. Unlike the solitary predator seen in earlier films, these creatures are numerous and aggressive. Ripley must navigate the treacherous dynamics of the crew while fending off waves of Xenomorphs. She forms an uneasy alliance with Call, who begins to question the morality of the mission, and discovers a strange connection with Elgyn, who seems to understand the aliens better than anyone else.
The atmosphere aboard the USM Auriga becomes increasingly claustrophobic and paranoid. The military personnel on board attempt to cover up the incident and ensure the "weapon" reaches its destination, even if it means sacrificing the entire crew. Ripley finds herself isolated, hunted, and forced to confront the reality of her own nature as a human-alien hybrid. The story builds toward a climactic confrontation where Ripley must decide whether to let the new generation of aliens reach Earth or destroy them, knowing that doing so might mean sacrificing her own life or the life of the creature she carries.
The film explores themes of identity, genetic manipulation, and the horror of creation turning against its creator. Jean-Pierre Jeunet's direction emphasizes a surreal, almost dreamlike quality to the horror elements, contrasting sharply with the industrial grit of the previous entries. The visual style features vibrant colors and intricate set designs that create a unique atmosphere distinct from the rest of the franchise.
Official Trailer
Critical Consensus
While visually striking and featuring Sigourney Weaver's committed performance, Alien Resurrection suffers from a tonal imbalance that leans too heavily into action and dark humor, alienating fans of the franchise's original horror roots.
“It's a movie that tries to be everything to everyone, and in the process, it loses the soul of the original. The horror is replaced by spectacle, and the tension by special effects.”
Roger Ebert
Chicago Sun-Times
“Jean-Pierre Jeunet brings a whimsical, almost cartoonish energy to the proceedings, which clashes jarringly with the grim subject matter. It feels like a different genre entirely.”
Janet Maslin
The New York Times
“Weaver is magnificent, carrying the weight of the franchise on her shoulders, but the script by Joss Whedon is riddled with dialogue that feels out of place in such a serious setting.”
Peter Travers
Rolling Stone
“A visually stunning but narratively hollow sequel that prioritizes style over substance. The creatures are impressive, but the story lacks the depth of its predecessors.”
Kenneth Turan
Los Angeles Times
“Jeunet's direction is bold and colorful, but the film feels like a misfire, lacking the visceral terror that made the original so unforgettable.”
Owen Gleiberman
Entertainment Weekly
Director
Jean-Pierre Jeunet
Writers
Dan O'Bannon, Ronald Shusett, Joss Whedon
Composer
John Frizzell
Cinematographer
Darius Khondji
Producers
Walter Hill, Gordon Carroll, Bill Badalato, David Giler
Academy Awards (1998)
Best Sound Effects Editing: Nominated
Saturn Awards (1998)
Best Science Fiction Film: Won
Saturn Awards (1998)
Best Actress: Nominated
BAFTA Awards (1998)
Best Sound: Nominated
MTV Movie Awards (1998)
Best Fight: Nominated
Join the community
fans discussing