“A Nightmare on Elm Street is a wonderfully creepy horror movie, one of the best of its genre. It creates a world where the rules of reality don't apply.”
Roger Ebert
Chicago Sun-Times

United Kingdom"If Nancy doesn't wake up screaming, she won't wake up at all."
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In 1984, a low-budget horror film from a struggling studio changed the genre forever. Wes Craven's A Nightmare on Elm Street introduced a villain who didn't stalk victims in the dark, he found them in their sleep. Freddy Krueger, with his burnt face, striped sweater, and glove of razor blades, became the first supernatural slasher, attacking teenagers through their own dreams. The film's $1.8 million budget turned into $57 million at the box office, saving New Line Cinema and launching a franchise that would span decades.
Set in the fictional town of Springwood, Ohio, the story follows Nancy Thompson, a high school student whose friend Tina is murdered in her sleep. As more teens die, Nancy uncovers a dark secret: Freddy Krueger was a child killer burned alive by the neighborhood parents, and now his spirit returns to exact revenge on their children. What makes the film endure is its dream logic, scenes shift without warning, reality bends, and death comes not from a masked man in the woods but from the one place everyone must go: sleep.
The film also marked the debut of Johnny Depp, then a 20-year-old unknown, and featured groundbreaking practical effects, including a rotating room that allowed Tina to be dragged across the ceiling. Decades later, the Library of Congress selected it for preservation in the National Film Registry, calling it culturally, historically, and aesthetically significant.
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Teenager Tina Gray wakes from a nightmare with four mysterious slash marks on her nightgown. In her dream, she was in a dark, boiler-room-like space, chased by a disfigured man in a striped sweater and fedora, his right hand a glove of razor blades. Her friends Nancy Thompson and Glen Lantz see the tears in the fabric that morning, but no one can explain them. That night, Tina's boyfriend Rod Lane stays over to comfort her. She has another nightmare, and this time the attack is real, she is slashed and dragged across the ceiling while Rod watches, helpless. He flees the scene, becoming the prime suspect.
Nancy starts having the same nightmares. She sees the figure, later identified as Fred Krueger, in her dreams, always in that same boiler room. She and Glen try to stay awake, but exhaustion wins. In a dream, Freddy taunts her, revealing his power: if you die in your dream, you die in real life. Rod is arrested for Tina's murder but is found dead in his jail cell the next morning, hanged during a nightmare. Nancy's mother, Marge, an alcoholic, dismisses her fears. Desperate, Nancy discovers the truth: Fred Krueger was a real child murderer who killed at least 20 neighborhood children. The parents of Springwood, including Marge and Nancy's father, Lieutenant Thompson, tracked him to his boiler room hideout and burned him alive. But his spirit survived, returning as a dream demon to kill the children of those who murdered him.
Nancy realizes the only way to survive is to stay awake. She rigs her house with booby traps, tripwires, a falling anvil, a flamethrower. She also learns she can pull objects from her dreams into reality, giving her a fighting chance. She plans to pull Freddy into the real world, where she can trap and destroy him. As the film builds toward its climax, Nancy must confront her fear and find a way to break Freddy's power before she falls asleep for good.
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Critical Consensus
A Nightmare on Elm Street masterfully blends inventive horror with psychological depth, introducing one of cinema's most memorable villains in Freddy Krueger. Wes Craven's direction and the film's dream-logic premise create an atmosphere of genuine dread that remains effective decades later, cementing its status as a landmark of the slasher genre.
“A Nightmare on Elm Street is a wonderfully creepy horror movie, one of the best of its genre. It creates a world where the rules of reality don't apply.”
Roger Ebert
Chicago Sun-Times
“Mr. Craven has a gift for making the fantastic seem plausible, and he keeps the story moving at a breathless pace. The nightmare sequences are genuinely inventive and terrifying.”
Janet Maslin
The New York Times
“Wes Craven has fashioned a clever, scary horror film that plays on the universal fear of nightmares. Robert Englund's Freddy Krueger is a memorable villain.”
Variety Staff
Variety
“A landmark horror film that revitalized the slasher genre with its dream-logic premise. Craven's script is clever, the performances are strong, and the scares are genuinely effective.”
Kim Newman
Empire Magazine
“A Nightmare on Elm Street is a frighteningly original horror film that taps into the primal fear of being unable to wake up from a bad dream.”
Richard Corliss
Time Magazine
Director
Wes Craven
Writer
Wes Craven
Composer
Charles Bernstein
Cinematographer
Jacques Haitkin
Producers
Robert Shaye, Sara Risher, John Burrows
Avoriaz Fantastic Film Festival (1985)
Grand Prize: Won
Saturn Awards (1985)
Best Horror Film: Nominated
Saturn Awards (1985)
Best Director: Nominated
Saturn Awards (1985)
Best Actress: Nominated
Saturn Awards (1985)
Best Supporting Actor: Nominated
Saturn Awards (1985)
Best Makeup Effects: Nominated
Academy of Science Fiction, Fantasy & Horror Films (1985)
Best Makeup Effects: Won
Fantasporto (1985)
Best Film: Nominated
Sitges - Catalonian International Film Festival (1985)
Best Cinematography: Won
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