Anjali Filmi@anjali.filmi

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Zach Cregger explains the technical reality behind first-person shooter scenes in RESIDENT EVIL. To nail that specific ratio, camera rigs must be rigidly mounted directly onto machine guns and shotguns. The setup is so precise that sometimes Austin Abrams' head actually serves as a mounting point for the cameras. If the barrel sits too high in the frame or aims slightly off-center, the whole scene feels dead wrong.

1mo

Anjali Filmi@anjali.filmi

Follow

Zach Cregger explains the technical reality behind first-person shooter scenes in RESIDENT EVIL. To nail that specific ratio, camera rigs must be rigidly mounted directly onto machine guns and shotguns. The setup is so precise that sometimes Austin Abrams' head actually serves as a mounting point for the cameras. If the barrel sits too high in the frame or aims slightly off-center, the whole scene feels dead wrong.

1mo